Editing of our short film

We have been editing our short film using Adobe Premier Pro. We are very happy with the opening scene, which includes our time lapse shot of the train station, which cross-cuts constantly to shots of Lucas getting ready to go to his job interview. The train station scene is where Lucas has to make the decision, so we have reinforced the 2 choices by the use of split screen; juxtaposing the 2 choices. The parallel narratives which indicate the two separate lives that Lucas could lead were the part of our film which we were having difficulties with when editing. This is because; first of all we had placed a shot of the successful life, followed by a shot of the family orientated life, hence contrasting the lives. However, when we showed it to some people, they could not understand that it was 2 different lives. We then decided upon changing the successful life to black and white, as in that life Lucas is lonely so this duller tone would relate to that and would also help to make the 2 parallel lives clearer. However, when showing it again for feedback, people still failed to understand. Therefore, we decided to show the flash forward of the successful life, return to reality and then have the flash forward of the family life, yet still incorporating the use of black and white. As we had planned to include a fast rewind at the end of the flash forward, we have now chosen to rewind each life separately before Lucas returns to reality. Additionally, as we have now separated the lives, we decided to cut the opening the card scene from the edit, as it would no longer make sense. We also included slow motion in some areas, for example when Grace bumps into someone at the train station, as we felt it is a pivotal part of our short film, as her bumping into someone is what makes Lucas have to make a decision; whether to ignore her or help her – which changes his life – and is the centre of our film. Towards the end of the film, Lucas looks left and right; contemplating the choices, before it cuts to a shot of his foot taking a step. We decided to slow this part down too, as it attracts the attention of the audience, as they will keep watching to see what decision he makes. We tried out various special effects, as we wanted to make the flash-forward’s look like fantasy and not reality. However, we were not happy with the effects, as they created more ghost like effects rather than the effect we were after. Therefore, we decided that a white flash accompanied by appropriate non-diegetic sound will indicate it’s a flash forward and in between the shots during the flash forwards we employed ‘dip to whites’ as the transition, as this too helps to convey fantasy. We did capture a vast amount of footage; much more than we actually needed, especially for the flash forward scenes. However during the editing process, we only used short clips, as we did not want it to be boring for our demograph and we thought how flash forwards are normally just quick snippets, thus not revealing too much detail. During the flash forwards especially in the family life, at first we did incorporate dialogue; when he said “will you marry me” and during the argument scene. We changed the pitch of the diegetic dialogue, so it had a slight echo affect to it, reiterating how it is fantasy and not real. However, after reviewing it, we felt the argument scene was not needed, so cut that from our edit. We then thought only having dialogue for the proposal scene would be strange, so we decided to remove it, as from the shots it is obvious what is happening and we believe it looks more effective with just non-diegetic music and no dialogue.